POSTWEST band POSTWEST band
Fullscreen on
Fullscreen off

Platform East: Crisis Managers Wanted
Authoritarian vs. Democratic Systems in Times of Instability

Discourse | In English

With: Oliver Bilger (Tagesspiegel, Berlin), Silvia von Steinsdorff (Humboldt University Berlin)

Moderation: Gwendolyn Sasse (ZOiS, Berlin)
Input: Vlad Troitskyi (Center of Contemporary Art DAKH, Kyiv)

The COVID-19 pandemic has drawn more attention to the relationship between citizens and the state. At the beginning of the pandemic, it seemed that authoritarian states were able to cope with this exceptional situation better than democratic societies, and that “strong leadership” paid off for citizens in times of crisis. Can successful crisis management really be attributed to the political system? How do societies react to the policies of their governments in such exceptional circumstances? What role is played in this context by civic figures and voices from the art world, who have always critically examined power relations and imbalances and held them up for public scrutiny? Ukrainian theater director Vlad Troitskyi will provide the artistic input for this discussion by speaking about his exploration of the power structures between state and society, and what it means to be a theater maker in a country marked by frequent systemic changes.

The event will be streamed live here and on the Facebook pages of ZOiS and Volksbühne. If you would like to join the discussion with your questions via the Zoom Chat, just log in with this link.

 

Biographies

Oliver Bilger was previously a freelance correspondent in Moscow reporting on Russia and Eastern Europe. His main areas of focus are politics, society, and the economy. He is currently working as a journalist in the newsroom of the Berliner Tagesspiegel.

Gwendolyn Sasse is the academic director of the Center for East European and International Studies (ZOiS) in Berlin. Her research focuses on political identities and conflicts in the post-Soviet region, including comparative research on democracy and authoritarianism.

Vlad Troitskyi, born in 1964 in Ulan-Ude, USSR, is a Ukrainian theater actor, director, scenographer, producer and TV presenter. In 1994, Troitskyi founded the Center of Contemporary Art DAKH, which has been an “art hotel” and a school of acting, before it was formed as a theatre in 2004. Troitskyi founded the contemporary art GOGOLFEST in Arsenal in 2007 (now Mystetskyi Arsenal). The festival developed to numerous regional festivals in Ukraine.

Silvia von Steinsdorff holds the Chair of Comparative Political Science and the Political Systems of Eastern Europe hat Humboldt-Universität zu Berlin. Her research interests are in the intersection of law and politics, the organization and impact of parliament and party systems as well as questions of democratization and transformation (in particular Eastern Europe and Turkey).

In cooperation with the Centre for East European and International Studies

 

Platform East
Which forms of civic engagement exist in Eastern Europe? Which agents are participating in the restructuring of public space? How has collective memory changed in the post-Soviet era? The new series Platform East will raise these questions and many others as part of the transcultural festival POSTWEST. Academics, artists, and activists from Central and Eastern Europe as well as various experts on Eastern Europe will address the socially relevant issues that affect their everyday lives: the freedom of art and media, the politics of memory and the construction of identities, generational relationships and conflicts as well as protest against political systems. Bringing together these different professions will produce mental collages that expand epistemic horizons and serve as the starting point for diverse future scenarios and a collective utopia of POSTWEST.

The series Platform East is a collaboration between the Centre for East European and International Studies (ZOiS) and the Volksbühne Berlin. Through panel discussions, films, lecture performances, and other formats, the series will function as a platform in the truest sense: at the intersection of art and science, it moves past the existing homogenous images of Eastern Europe and offers space for political, societal, and cultural diversity.